| Mr
James Koh, Chairman of HDB
Mr Lee Suan Hiang, CEO of NAC
Mr Michael Koh, CEO of NHB
Ms Jane Ittogi, Chair of the SAM
Mr Ong Kim Seng,
Distinguished guests,
Ladies and gentlemen
1
As the minister in charge
of public housing, it’s not often that I officiate
at the opening of an art exhibition. Maybe it’s
because so few artists produce paintings of Singapore’s
HDB estates. This is what makes this exhibition special.
2 Ong Kim Seng is a Cultural
Medallion winner who is well-known among Singaporeans.
In this groundbreaking show, he has portrayed Singapore’s
urban heartlands in a way which no one else has done
before. Using an innovative style, he has used modern-day
HDB flats as a canvas to project images of significant
moments from the past. He has invited viewers to reflect
not only on key moments of history, such as the Bukit
Ho Swee fire of 1961, but also of their own position
in relation to these common places.
3
In many larger nations,
when one thinks of the country’s heartlands, the
image is of a huge expanse of rural countryside, little
villages, rolling plains, perhaps with cows and sheep
in the background. Singapore’s heartlands are,
of course, very different. Here, the context is one
of many communities of high-rise apartments that stitch
together the urban fabric of our nation. There is little
tradition in the visual arts world – whether in
Singapore or internationally – of depicting such
high-density urban landscapes as picturesque. But Ong
Kim Seng has shown that there is not only beauty, but
also much meaning, in the humble HDB heartland.
4
In just over a year from
now, in 2010, HDB will celebrate its 50th
anniversary. In a way, this exhibition, co-sponsored
by HDB, is a kind of preliminary marker in the run-up
to that half-century milestone. HDB has worked hard
over the last five decades to do much more than merely
provide a roof over the head for most Singaporeans.
It has also created and sustained the development of
many new communities of residents clustered around hundreds
of precincts all over the island. New communities, new
ties, new memories. And when this exhibition ends its
run at the Singapore Art Museum and moves on to the
HDB Hub in Toa Payoh, I hope many more people, especially
residents of the HDB heartlands, will come and appreciate
what Kim Seng is trying to convey about Singapore’s
heartlands.
5
It is the desire to nurture
a spirit of community that connects modern-day HDB precincts
to the kampongs and villages in the old Singapore of
days gone by. Together with the launch of this exhibition
and its accompanying video, a book will also be launched.
The publication includes a number of poems by writer
Koh Buck Song about Singapore’s heartlands. In
one of the poems, titled "Corridor, Bukit Merah",
he refers to HDB flats as examples of a "kueh lapis
kampong". For those who may not know the term,
“kueh lapis” is the Malay name for a popular
local pastry, known in English as "layer cake".
HDB flats, which are the modern-day multi-storey equivalents
of the old kampongs, house residents are separated not
by the unpaved side-lanes of the old kampongs, but by
many concrete floors and corridors. Yet although the
"hardware", the physical setting, has certainly
changed, we strive nonetheless to recreate a similar
"software", the same spirit, of social harmony
and cohesion.
6
As Kim Seng captures in
his paintings, the landscape of Singapore’s heartlands
continues to evolve. HDB estates are continually being
upgraded with new facilities and amenities. New layers
are being added to the "kueh lapis kampong",
even as we speak. It is the appreciation of this unending
transformation, and what it really means to us, that
is the crux of this exhibition.
7
I commend Kim Seng and
the whole team behind this project for producing a show
of art, poetry and multimedia that celebrates a subject
so close to the hearts of so many Singaporeans. I hope
it will inspire more artists to look more closely at
this material, and to create more of such works of art
for us all to contemplate and enjoy. Thank you and good
evening.
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