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Conservation:
continuity in space and time
Mr
Bobby Chin, Chairman of URA
Distinguished guests
Ladies and gentlemen
Introduction
It is my pleasure to be here at the Malay Heritage Centre
for the 11th URA Architectural Heritage Awards ceremony.
2 I often hear people lament that Singapore
is a nation with little built heritage. But as this
building shows, Singapore is certainly more than just
gleaming shopping malls and modern skyscrapers.
Look at the conservation shophouses around us, and you
will agree that we have in fact much built heritage
to be proud of.
Conservation
and a vibrant global city called home
3 In his National Day Rally speech, PM Lee spoke about
the development of Marina Bay, the rejuvenation of Orchard
Road, and the upgrading of HDB heartlands. These plans
are moving along even as we speak. The tender for the
Orchard Turn site is launched today. The Business and
Financial Centre has been successfully awarded. The
tender for the Integrated Resorts is being finalised.
Many people are thrilled. But I know that some also
view these developments with mixed feelings. Inevitably,
urban development and redevelopment mean change, with
new buildings replacing the old and familiar.
4 But in making a vibrant global city
called home, we cannot focus only on the new. ‘Home’
is a place in which we find the familiar.
Familiar places and buildings give us a sense of continuity
with the past, and help to develop an emotional attachment
to our land. In re-making Singapore, we need to retain
a stock of buildings that create a special sense of
identity and hold our individual and collective memories.
Like precious family heirlooms that are passed from
generation to generation, they can create an enduring
bond between generations. Such buildings lend soul to
our city and make it different from all the others.
Conservation must be integral to urban planning in Singapore.
A
continuous journey: from pre-war to post-war
5
The 6,500 conservation buildings that we have today
did not come about overnight. In 1989, as part of the
Conservation Master Plan, we gazetted the first 10 conservation
areas in Singapore, including the Historic Districts
of Chinatown, Little India and Kampong Glam, as well
as Boat Quay and Clarke Quay.
6 Next, we facilitated the restoration
and adaptive re-use of significant monuments, such as
Raffles Hotel, the former Convent of the Holy Infant
Jesus (now Chijmes), and Fullerton Building. Some of
these projects went on to win international accolades.
7 Conservation took on a new dimension
when we fused the old and the new at China Square, integrating
modern office blocks with conserved shophouses. Later,
as part of the Master Plan 2003, we added areas rich
in local character and identity such as Tiong Bahru,
Mount Sophia and Balestier to the conservation list.
8 These conservation efforts were focused
mainly on protecting significant colonial and pre-war
buildings. But as our city evolves, the focus of our
conservation efforts too must change. We need to ensure
a continuity in our built heritage that reflects our
city’s evolution.
9 Last year, I mentioned the need to
consider architectural works of the post-war era for
conservation. Despite their simple forms, these buildings
are important for their social and historical significance.
They are part of the memories of the post-war generation.
They document the evolution of building styles in Singapore,
and are fine examples of the work of our pioneering
local architects. Most importantly, they capture the
mood and aspirations of a young Singapore nation. Through
their conservation, we hope to safeguard symbols of
Singapore’s modernizing and industrializing era.
Conservation
of postwar buildings
10 I am pleased to announce that some of these post-war
buildings have been approved for conservation.
11
One of these buildings is the Church of the Blessed
Sacrament along Queensway, which was built in 1963.
With its huge sloping roofs that nearly touch the ground,
it is fondly dubbed by many as the ‘origami church’.
12 Another post-war building approved for conservation
is the former Metropole Cinema, otherwise known as Jing
Hwa Cinema. Together with the Majestic and the Oriental,
Jing Hwa Cinema, built in 1958, was one of Chinatown’s
three famous cinemas. Some of you may recall traveling
from outlying areas to catch your favourite Chinese
movies there. Its successful new life as Fairfield Methodist
Church today shows that modern-style buildings can be
retained and modified for new use.
13
The next building has great significance for those of
us who grew up during Singapore’s industrializing
era – the former Jurong Town Hall. During the
1960s, the Jurong Town Corporation (JTC) was formed
to oversee Singapore’s early industrialisation
programme. A town hall for Jurong was built to house
the JTC headquarters. Designed to capture the spirit
of the new industrial and technological age, it is a
symbol of Singapore’s industrial and economic
progress. Even now, it continues to contribute to our
economic growth as a popular incubator hub for new business
start-ups.
Reviewing
conservation guidelines with stakeholders
14 While we continue to identify more heritage buildings
for conservation, we are mindful of the need to remain
responsive to market needs. Conservation sometimes means
less flexibility in development or loss of development
potential. We need to maintain a fine balance between
conservation and economic viability by constantly reviewing
our conservation guidelines.
15 Last year, URA reviewed the permissible
uses in the Core Areas of Chinatown, Kampong Glam and
Little India. To maintain the ethnic ambience and character
of these areas, current guidelines disallow trades that
are incompatible to the character of these areas, such
as discotheques, car showrooms and workshops.
In addition, only retail shops and restaurants are allowed
on the first floor in Core Areas to generate activity
at the street level.
16 However, business models and economic
cycles have changed over the past decade. We need to
ask ourselves, are such measures still relevant and
effective today?
17 To gather feedback, URA consulted
stakeholders such as Citizens’ Consultative Committees
and Business Associations of the respective districts,
as well as the Singapore Tourism Board and the Singapore
Heritage Society. These groups unanimously supported
URA’s proposed modifications to the guidelines.
18
Service shops will now be allowed on all floors, including
the first storey, in the core areas. This move will
benefit both residents and visitors. We have also decided
to exclude Telok Ayer from the Core Area. This is because
the uses of the buildings in the area have evolved towards
small businesses and office set-ups.
19 In reviewing the guidelines, we are
mindful that the changes will not result in the erosion
of the character and ambience of these areas. Indeed,
some guidelines have to be tightened to preserve these
traditional ethnic areas. For example, bars, pubs and
nightclubs are not allowed in the Kampong Glam core
area in view of its proximity to Sultan Mosque. With
the strong support of the Kampong Glam Business Association,
we will extend the exclusion boundary area to Sultan
Gate, Kandahar Street, Baghdad Street, Pahang Street,
Aliwal Street and Haji Lane.
20
Through the active involvement of stakeholders, conservation
policies and guidelines can be made more relevant without
undermining the objectives of conservation. Better policy
decisions in turn facilitate and encourage conservation
efforts to serve the larger national interests.
Celebrating six new winners
21 In the ongoing conservation journey, the annual URA
Architectural Heritage Awards play an important role.
The Awards aim to inspire buildings owners, developers
and contractors to achieve better quality restoration
and architectural excellence, as well as raise public
awareness of conservation.
22 Today, we honour the men and women
who have expended resources and laboured lovingly to
add to our trove of heritage treasures, for our benefit
and that of future generations’. This year, there
are four winners in Category A (for fully conserved
buildings). We stand on the grounds of one of them right
now – the Malay Heritage Centre. Formerly the
Istana or royal palace of the Sultan, this elegantly
restored building continues to hold pride of place in
Kampong Glam today.
The other winners in Category A include
The Scarlet, a boutique hotel whose luxurious interiors
have graced the pages of many design magazines; Waterboat
House, a unique maritime landmark at the mouth of the
Singapore River; and Spa Botanica, a former colonial
barracks turned modern spa.
23 In Category B (which is for conservation
projects that innovatively integrate old and new elements),
we have two winners this year. One is a pair of terrace
houses at 63 and 65 Emerald Hill Road, with identical
facades but distinct interiors. The other is Sandalwood,
a development in Joo Chiat that fuses the old world
charm of conservation houses with the modernity of a
new condominium.
24 The six new winners whom we are honouring
today will bring the total number of winners to 64.
Indeed, we have seen growing interest and participation
over the years. It is not just the numbers that I find
heartening.
It is also the range of winning buildings that is encouraging.
The winners show that all kinds of heritage developments
can be lovingly and innovatively maintained.
Rediscover
Kampong Glam with new walking map
25 The Architectural Heritage Awards and our 6,500 conservation
buildings testify that we have no lack of heritage treasures.
To bring heritage closer to the man-in-the-street, URA
has produced a new walking map on Kampong Glam, in collaboration
with Malay Heritage Centre, National Heritage Board
and Singapore Tourism Board. Armed with this map, locals
and tourists can now explore and enjoy this Historic
District that has retained its Malay roots and ambience
while moving with the times.
26 Finally, let me thank and congratulate
the owners, architects, engineers and contractors of
the six winning projects this year for their outstanding
efforts.
We look forward to their continued partnership and support
in protecting our national architectural heritage.
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